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2018 Grammy Awards Results: Bruno Mars Kendrick Lamar Dominate

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The 60th annual Grammy Awards were on Sunday. Here are highlights from the show:

 

<> at Madison Square Garden on January 28, 2018 in New York City.

 

• Bruno Mars swept the top categories, winning album, record and song of the year. We rounded up the best and worst moments.

• Kendrick Lamar dominated the rap categories and opened the show with a fiery performance. Alessia Cara won best new artist.

• The music industry acknowledged #MeToo during the ceremony and on the red carpet. See all the red carpet looks.

• The show featured flashes of politics, including a cameo from Hillary Clinton, who read from “Fire and Fury.”

 

Song of the Year: “That’s What I Like” — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus and Jonathan Yip, songwriters (Bruno Mars)

Best New Artist: Alessia Cara

Best Pop Solo Performance: “Shape of You” — Ed Sheeran

Best Pop Duo/Group Performance: “Feel It Still” — Portugal. The Man

Best Traditional Pop Vocal Album: “Tony Bennett Celebrates 90” — Various Artists; Dae Bennett, producer

Best Pop Vocal Album: “÷” — Ed Sheeran

Best Dance Recording: “Tonite” — LCD Soundsystem

Best Dance/Electronic Album: “3-D The Catalogue” — Kraftwerk

Best Contemporary Instrumental Album: “Prototype” — Jeff Lorber Fusion

Best Rock Performance: “You Want It Darker” — Leonard Cohen

Best Metal Performance: “Sultan’s Curse” — Mastodon

Best Rock Song: “Run” — Foo Fighters, songwriters

Best Rock Album: “A Deeper Understanding” — The War on Drugs

Best Alternative Music Album: “Sleep Well Beast” — The National

 

 

 

Best Traditional R&B Performance: “Redbone” — Childish Gambino

Best R&B Song: “That’s What I Like” — Christopher Brody Brown, James Fauntleroy, Philip Lawrence, Bruno Mars, Ray Charles McCullough II, Jeremy Reeves, Ray Romulus and Jonathan Yip, songwriters (Bruno Mars)

Best Urban Contemporary Album: “Starboy” — The Weeknd

Best Rap Performance: “HUMBLE.” — Kendrick Lamar

Best Rap/Sung Performance: “LOYALTY.” — Kendrick Lamar featuring Rihanna

Best Rap Song: “HUMBLE.” — K. Duckworth, Asheton Hogan and M. Williams II, songwriters (Kendrick Lamar)

Best Rap Album: “DAMN.” — Kendrick Lamar

Best Country Solo Performance: “Either Way” — Chris Stapleton

Best Country Duo/Group Performance: “Better Man” — Little Big Town

Best Country Song: “Broken Halos” — Mike Henderson and Chris Stapleton, songwriters (Chris Stapleton)

Best Country Album: “From A Room: Volume 1” — Chris Stapleton

Best New Age Album: “Dancing on Water” — Peter Kater

Best Improvised Jazz Solo: “Miles Beyond” — John McLaughlin, soloist

Best Jazz Vocal Album: “Dreams and Daggers” — Cécile McLorin Salvant

Best Jazz Instrumental Album: “Rebirth” — Billy Childs

Best Large Jazz Ensemble Album: “Bringin’ It” — Christian McBride Big Band

Best Latin Jazz Album: “Jazz Tango” — Pablo Ziegler Trio

Best Gospel Performance/Song: “Never Have to Be Alone” — CeCe Winans; Dwan Hill & Alvin Love III, songwriters

Best Contemporary Christian Music Performance/Song: “What a Beautiful Name” — Hillsong Worship; Ben Fielding & Brooke Ligertwood, songwriters

Best Gospel Album: “Let Them Fall in Love” — CeCe Winans

Best Contemporary Christian Music Album: “Chain Breaker” — Zach Williams

Best Roots Gospel Album: “Sing It Now: Songs of Faith & Hope” — Reba McEntire

Best Latin Pop Album: “El Dorado” — Shakira

Best Latin Rock, Urban or Alternative Album: “Residente” — Residente

Best Regional Mexican Music Album (Including Tejano): “Arriero Somos Versiones Acústicas” — Aida Cuevas

Best Tropical Latin Album: “Salsa Big Band” — Rubén Blades con Roberto Delgado y Orquesta

Best American Roots Performance: “Killer Diller Blues” — Alabama Shakes

Best American Roots Song: “If We Were Vampires” — Jason Isbell, songwriter (Jason Isbell and the 400 Unit)

 

Best Americana Album: “The Nashville Sound” — Jason Isbell and the 400 Unit

Best Bluegrass Album: tie, “Laws of Gravity” — The Infamous Stringdusters and “All the Rage — In Concert Volume One” — Rhonda Vincent and the Rage

Best Traditional Blues Album: “Blue & Lonesome” — The Rolling Stones

Best Contemporary Blues Album: “TajMo” — Taj Mahal and Keb’ Mo’

Best Folk Album: “Mental Illness” — Aimee Mann

Best Regional Roots Music Album: “Kalenda” — Lost Bayou Ramblers

Best Reggae Album: “Stony Hill” — Damian “Jr. Gong” Marley

Best World Music Album: “Shaka Zulu Revisited: 30th Anniversary Celebration” — Ladysmith Black Mambazo

Best Children’s Album: “Feel What U Feel” — Lisa Loeb

Best Spoken Word Album (Includes Poetry, Audio Books and Storytelling): “The Princess Diarist” — Carrie Fisher

Best Comedy Album: “The Age of Spin/Deep in the Heart of Texas” — Dave Chappelle

Best Musical Theater Album: “Dear Evan Hansen” — Ben Platt, principal soloist; Alex Lacamoire, Stacey Mindich, Benj Pasek and Justin Paul, producers; Benj Pasek and Justin Paul, composers/lyricists (original Broadway cast recording)

Best Compilation Soundtrack for Visual Media: “La La Land” — Various Artists

Best Score Soundtrack for Visual Media: “La La Land” — Justin Hurwitz, composer

Best Song Written for Visual Media: “How Far I’ll Go” — Lin-Manuel Miranda, songwriter (Auli’i Cravalho)

Best Instrumental Composition: “Three Revolutions” — Arturo O’Farrill, composer (Arturo O’Farrill and Chucho Valdés)

Best Arrangement, Instrumental or A Cappella: “Escapades for Alto Saxophone and Orchestra From ‘Catch Me If You Can’” — John Williams, arranger (John Williams)

Best Arrangement, Instruments and Vocals: “Putin” — Randy Newman, arranger (Randy Newman)

Best Recording Package: tie, “Pure Comedy (Deluxe Edition)” — Sasha Barr, Ed Steed and Josh Tillman, art directors (Father John Misty) and “El Orisha de la Rosa” — Claudio Roncoli and Cactus Taller, art directors (Magín Díaz)

Best Boxed or Special Limited-Edition Package: “The Voyager Golden Record: 40th Anniversary Edition” — Lawrence Azerrad, Timothy Daly and David Pescovitz, art directors (Various Artists)

Best Album Notes: “Live at the Whisky A Go Go: The Complete Recordings” — Lynell George, writer (Otis Redding)

Best Historical Album: “Leonard Bernstein — The Composer” — Robert Russ, compilation producer; Martin Kistner and Andreas K. Meyer, mastering engineers (Leonard Bernstein)

Best Engineered Album, Non-Classical: “24K Magic” — Serban Ghenea, John Hanes and Charles Moniz, engineers; Tom Coyne, mastering engineer (Bruno Mars)

Producer of the Year, Non-Classical: Greg Kurstin

Best Remixed Recording: “You Move (Latroit Remix)” — Dennis White, remixer (Depeche Mode

Best Surround Sound Album: “Early Americans” — Jim Anderson, surround mix engineer; Darcy Proper, surround mastering engineer; Jim Anderson and Jane Ira Bloom, surround producers (Jane Ira Bloom)

Best Engineered Album, Classical: “Shostakovich: Symphony No. 5; Barber: Adagio” — Mark Donahue, engineer (Manfred Honeck and Pittsburgh Symphony Orchestra)

Producer of the Year, Classical: David Frost

Best Orchestral Performance: “Shostakovich: Symphony No. 5; Barber: Adagio” — Manfred Honeck, conductor (Pittsburgh Symphony Orchestra)

Best Opera Recording: “Berg: Wozzeck” — Hans Graf, conductor; Anne Schwanewilms and Roman Trekel; Hans Graf and Brad Sayles, producers (Houston Symphony; Chorus of Students and Alumni, Shepherd School of Music, Rice University and Houston Grand Opera Children’s Chorus)

Best Choral Performance: “Bryars: The Fifth Century” — Donald Nally, conductor (PRISM Quartet and The Crossing)

Best Chamber Music/Small Ensemble Performance: “Death & the Maiden” — Patricia Kopatchinskaja and the Saint Paul Chamber Orchestra

Best Classical Instrumental Solo: “Transcendental” — Daniil Trifonov

Best Classical Solo Vocal Album: “Crazy Girl Crazy” — Barbara Hannigan (Ludwig Orchestra)

Best Classical Compendium: “Higdon: All Things Majestic, Viola Concerto & Oboe Concerto” — Giancarlo Guerrero, conductor; Tim Handley, producer

Best Contemporary Classical Composition: “Viola Concerto” — Jennifer Higdon, composer (Roberto Díaz, Giancarlo Guerrero and Nashville Symphony)

ABest Music Video: “HUMBLE.” — Kendrick Lamar

Best Music Film: “The Defiant Ones” — Various Artists

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Politics

Trump Tweets About an ‘Insecure’ and ‘Biased’ Oprah Winfrey Over Her ’60 Minutes’ Segment

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Oprah Winfrey in a 60 minutes segment with a voter focus group on America’s political divide.  (Photo Courtesy of CBS News).

Donald Trump venting over the FBI and the Russia investigation took to Twitter on Sunday night in a tweetstorm attack on Oprah Winfrey following her “60 Minutes” segment on America’s political divide. Despite his denial of spending time watching television, his response to Winfrey stated otherwise.

“Just watched a very insecure Oprah Winfrey, who at one point I knew very well, interview a panel of people on 60 Minutes,” tweeted Trump, “The questions were biased and slanted, the facts incorrect. Hope Oprah runs so she can be exposed and defeated just like all of the others!”

Winfrey’s report followed up her September segment featuring the same panel of Trump voters and non-Trump voters in the battleground state of Michigan. The goal of the segment was to understand their thoughts on his presidency and direction of the country one year after he took office.

In the wake of Winfrey’s historic #MeToo speech during the Golden Globes in January, an #Oprah2020 movement took root, with many stars – including Meryl Streep and Steven Spielberg – calling on Winfrey to consider running. Days later, Trump addressed the speculation, telling the press, “Yeah, I’ll beat Oprah.”

In 1999, Trump thought Winfrey would be a good running mate.  At the time Trump said: “I know her very well. You know, I did one of her last shows. She had Donald Trump – this was before politics – her last week, and she had Donald Trump and my family. It was very nice.”

Oprah Winfrey, despite earlier rumors of a presidential bid, has been clear that she has no intention of running for president.  Making it clear on her intentions she said in a 60 Minutes overtime clip separate from Sunday’s report. “If God actually wanted me to run, wouldn’t God kind of tell me?”

@LeNoraMillen       02-20-18

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‘Black Panther’ Is On A Rampage…A Must See

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'Black Panther' Is On A Rampage...A Must See

Cedric Nettles/Entertainment Editor

Yes I saw it, and I was floored by every aspect of Marvel’s Black Panther. It is a must see in terms of amazing special effects, casting, and screenplay. It is also a  must see in terms of what it had to say about black history and how there are conflicts within black culture that has to stay in the discussion. You will have to see the movie and you will understand…I promise. Your kids will see this and be mesmerized because it is so different from anything that has came out in a long time. Enjoy the ride everyone.

 

UPDATED, Monday AM writethru after 12:05 AM post: Disney has verified this morning what we saw in the middle of the night, that T’Challa recorded the second-best Sunday ever at the domestic box office. Its $60.1 million (higher than the industry’s $59.55M estimate last night) ranks only behind the all-time record held by Disney/Lucasfilm’s Star Wars: The Force Awakens ($60.5M on December 20, 2015). The total now pushes Black Panther to a three-day total of $201.8M, still the fifth-best domestic opening of all time after 2012’s Avengers ($207.4M).-Deadline.com

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Exposure Magazine Saluting The Ladies of Black History Month

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From a former First Lady who still gives us hope, to a media icon that electrifies our television screens , to a teen titan in the literacy world, black women have been making our lives better with only the touch they can provide. There are so many we could recognize, but you black mothers who raise our children, teachers,  corporate leaders, and ladies of ministry, and countless other professions and roles, we salute you!

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